DECATUR has never lacked
in musical talent, and it has been the home of several musical
organizations which have brought fame to the city. The first one
organized, and which in later years put Decatur "on the map"
musically, was The Goodman band, thought by some to be the oldest
band in the United States, and one with a record which few, if any,
bands can equal. During the years of its existence this band
has furnished musicians in four wars, the Civil War,
Spanish-American war, Mexican border war, and the World war. Nine
men were charter members of the organization when it met on the
night of Sept. 19, 1857, for its first meeting. They were D.
S. Shellabarger, James Haworth, J. G. Starr, Jake
Kauffman, George Patterson, John Roswell, W. W.
Lapham, Henry Dunham and Will L.
Smith. One of these, Henry Dunham, who was the first snare
drummer in the band, is still living at this writing (1930). The
first director was Mr. Kingfield from outside Decatur, but later
Will L. Smith, who was a leader in the movement to organize the
band, directed the organization for a number of years, until he
started out on the road with his Swiss Bell Ringers.1
The band had several different names during its early years.
It was first known as the Decatur Brass band, was also called the
Decatur Silver band, and the Decatur Cornet band. It became
know as the Goodman band when Professor A. Goodman became its leader
in 1873, and has retained that name ever since. In 1862 the band
bought new instruments from the proceeds of the a concert given at
the town hall. During the period of the Civil war the band
languished to some extent, a number of the members serving in the
army, but the organization was kept up, and in 1867 it was
reorganized with the following members:
Chris Kramer |
Joe Ricketts |
W. N. Zimmerman |
John E. King |
Jack Ricketts |
George Patterson |
Silas Packard |
Berry Kaylor |
W. L. Smith |
Will Dennis |
W. H. Starr |
D. S. Shellabarger |
Charles Hopping |
Joe Ehrhart |
Joe Berry |
Richard Harkness |
D. S. Shellabarger and Silas Packard dropped out shortly
afterwards, and Ed Seifert came in. From time to time there
were other changes in membership, but usually the number was kept up
to fourteen.2
From 1862 to 1865 George Howe was director of the band, and after
him came Joe Ricketts. In 1871-72 Professor C. A. Foster was
director. Then in 1873 came Professor A. Goodman, and under
his leadership began a brilliant era for the band. The
organization took on new life and became known far and wide over the
country. Professor Goodman was director until 1882. Other
directors following him were Charles Maxwell, F. W. Haines and C. A.
Foster. In 1887 Professor Robert Walter became director, a
position he filled for about forty years. In 1928 Roy Jones
was named director. One of the early members of the band, F. W.
Haines, played in the band for nearly eighteen years. For some
time he served as business manager. On May 4, 1901, the band was
mustered into the Fourth Infantry, I. N. G., and became a regimental
band. The band has been a popular organization. It has been
the attraction at local events, at county, state and national
gatherings.
THE GOODMAN BAND IN 1867
Left to right - Standing: Joe Berry, Charley Ricketts, Joe
Ehrhart,
Chris Kramer, W. H. Starr, John E. King, Ed Seifert.
Seated: W. N. Zimmerman, Will Smith, Joe Ricketts, George
Patterson, "Bill" Dennis, Charles Hopping, Berry
Kaylor.
Will L. Smith had an active part in the musical development of the
city. He organized the Decatur Ladies' band in the fall of
1866. Its members were as follows: Mrs. Will L. Smith,
Miss Rosaline Kinkead (Mrs. H. B. Ives), Mrs. S. T. Trowbridge, Miss Ada
Trobridge, Miss Louisa Bear, and Miss Ella Bloom (Mrs. Richard
Oglesby).3
Two men also were in the band, Charley Trowbridge playing the bass
drum and cymbals and Mr. Smith playing the cornet. This was
something new not only in Decatur but in the United States - a band
composed of women. It simply wasn't being done in those days.
Such a novel attraction soon became popular and invitations began to
pour in. The lady musicians first had brass instruments, but they
wanted something better, and soon they were provided with silver
horns. The band then became known as the Ladies' Silver band.
The members earned part of the $445 needed to purchase the
instruments by playing at the state fair. This band was later
merged with the Smith's Swiss Bell Ringers, the organization
directed by Mr. Smith for so many years. This group of
musicians was heard in every section of the country. It was in
existence until 1900. Mr. Smith and Miss Lizzie Kinkead Coleman
were marred Feb. 11, 1862, by the bride's foster father, Rev. John
W. Coleman. They bought the old James Renshaw log house, moved
in to Morgan and Division streets, and built a house from the
lumber. There were no other houses then in the neighborhood.
In the late '50s the Decatur Choral society was active. D. L.
Bunn was largely instrumental in organizing it. There were
about twenty members, and for a time Dr. W. A. Barnes was leader.
Many a soldier's child went hungry during the dark days of the Civil
war when father was away at the front. It would seem that such
a statement would have little to do with music, yet it was that very
thing which brought about the organization of Decatur's most
talented people of that day, the Decatur Musical Union. Formed to
meet a war period need, it did not end its career with the war, but
flourished for twenty years, and during that time was the principal
source of revenue for the charity work done in the city. Some
decorating was being done for a Thanksgiving festival in 1861, when
the women, chatting away at their work, launched on to the subject
of some of the destitute people, sympathizing as always with the
children particularly. "Let's give a Christmas dinner for them,"
said one. It would be a fine thing, they all agreed, but - where
would the money come from? Money wasn't plentiful then.
"I'll see George," said Amanda Montgomery. Well, George was seen
and he was equal to the occasion. A concert was suggested to
raise money. Lowber Burrows, D. L. Bunn and others were
drafted. All were willing to assist. As a result a meeting
of singers was called, and at that meeting, in December, 1861, was
organized the Decatur Musical Union. "George," who was George F.
Wessels, became the musical director of the union. He was its
inspiration, its leader, and not until after he left Decatur did the
Union cease to exist. Officers elected at the organization meeting
were:
President - Lowber Burrows
Vice President - Dr. Willialm A. Barnes
Secretary - J. R. Mosser
Treasurer - W. T. Edmundson
Musical director - George F. Wessels
Pianist - Miss Mattie Cass |
Two concerts were given in about ten days after organization.
One was "fort eh benefit of the poor" an the other for the rent of a
hall and piano and the purchase of music for the Union. The object
of the society was to "bring together the musical talent of Decatur
for educational and charitable purposes." The members were able to
sing and to act, and they used their talents generously. About
six entertainments usually were put on during a year. A
variety of programs was furnished. Oratorios, cantatas,
tableaux, plays, quartets were among the performances offered.
Brilliant state effects and rich costuming featured the plays.
At one of the state fairs held in Decatur the Union gave four
performances to crowded houses, making enough money to pay expenses,
give 10 per cent to the Relief society, and to buy a Chickering
piano, and still the treasury wasn't exhausted. Among the singers
in the Union were J. R. Mosser, baritone, Joseph Ehrhart, George
Patterson and M. A. Myer, basses, L. L. Ferris, D. L. Bun and A. Pe
Griswold, tenors, Mary Elizabeth Bunn, Sallie Moore and Alida
Suits,
sopranos. Mrs. Wessels, who had been Amanda
Montgomery, was one of
the leading contraltos. Lowber Burrows was stage director and
Dr. William A. Barnes his assistant. Annie Livingston and Star
Mansfield were particularly good at costuming, an that phase of the
work usually fell to their lot. The Union had an orchestra of
Molly Masterson, pianist; Henry Ebert, first violin; Dr. E. S.
Jones, flute; Mr. Jordan, harp; Ben Davis, 'cello, and Albert
Condell, double bass viol. Some years after the Musical Union
ceased to exist, a new musical club was organized, known as the
Decatur Musical club. It was started about 1885. Members
were Frank and Edward Powers, C. W. Montgomery, Miss Hattie E.
Hitchcock, Stella B. Hadden, Professor Olaf Bull, J. B.
Burrows,
Maude Burrows, Will and James Roberts, Belle Ewing, Rose E.
Judson,
Clara Irwin, A. B. Alexander, Frank Shull, Anna Willis
Berry.
During the years of the club's activities, much outside musical
talent was brought to Decatur. Finally the club ceased
activity. Later, in 1895, another club, called the Musical Culture
club, afterwards the Decatur Musical club, was organized and
flourished for some time. After it went out of existence
Decatur had no music club until 1924 when the present day Decatur
Music club was organized. For ten years or more the Handel
society, directed by S. M. Lutz, appeared in public concerts.
Its first big achievement was a concert in Bloomington in 1897. An
outstanding music organization in more recent yeas was the Decatur
Oratorio choir, directed by Donald M. Swarthout, which had its
largest membership and greatest success from 1919 to 1923, and which
appeared annually in presentation of some well known oratorio.
Establishment of music schools, organization of various bands,
orchestras, choirs, teaching of music in the public schools,
bringing of outside artists for concerts here, all have had their
part in recent years in furthering music interests in Decatur.
------- 1.
Mrs. Smith has told the following story: When the band gave
its first public concert in Powers hall, Joe Starr was on the
program for a cornet solo. It happened that he had had all his
teeth removed that day, and when he undertook to play his solo he
failed to make the grade. The band leader couldn't stand for
the results which Starr was producing form his cornet and he took
the instrument away from him and played the solo himself.
Starr had nothing to do but stand there and look on in amazement.
2.
One time in 1869, shortly after being reorganized, the band was
called upon to play at the Henry Prather funeral. It had no
music ready and the death march was learned during the few hours
preceding the funeral time.
3. This Richard
Oglesby was a cousin of Governor Richard J. Oglesby.
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